The playfulness of post-production is seen within the work of photographer Christian Tagliavini, a photographer who lives and works in Lugano, Switzerland.   The work from his series 1503 (2010) and Dame Di Cartone (2008) is a reminder that at some point in our daily evaluations of the fashioned image, we are supposed to anticipate possibilities, and that post-production techniques can enable us to express our vision without interference.